" A Breakdown of the Message in K-Pop Demon Hunters Skip to main content

Featured

The Sketchbook

Every sketchbook should desire to be finished. For the human mind’s complexity to be splattered onto them. The beauty of art is that it doesn’t require a filter, but intuition. The ability to let go and let the soul paint what words cannot. I was different. Why do sketchbooks wish all their pages were filled? For closure, if there ever was such a thing? Closure of what? Closure of a chapter? Closure of images that once lived, free and wild? I sometimes wonder if the birth of an image on my surface meant the death of it, too. Once it’s out of the artist’s mind, the art wasn’t alive anymore. My pages were overfilled. Masood had stuffed me with different pages because he couldn’t fit his drawings on mine. He came home every day to relax, painting out his worries and fears, enjoyment and love onto me. It felt like whiplash. On one page, his soul painted iridescence. On the other, he drew entrapment. I enjoyed being his passion. His haven. I enjoyed his sons’ awe at how he decorated me, lea...

A Breakdown of the Message in K-Pop Demon Hunters

World-Building Symbolism:

Gwi Ma symbolizes the dark parts of yourself you're guilty of.
He's the head honcho of all the demons, thriving off shame and guilt, off the misery of others.
"That's all demons do. Feel. Feel our shame, our misery. It's how Gwi Ma controls us."
This is a pivotal line in the story.
It represents the first shift of Rumi slowly understanding what being a demon is actually like .
Which was important for her considering she was part-demon;
Essentially, it served as a first step towards her actually understanding her identity.
"If hate could defeat Gwi-Ma, I would have done it a long time ago."
This, again, is also a pivotal moment in the story as Rumi's perspective gradually shifts from running from her demons to embracing them.
Here, Jinu states something that everyone should know:
You can't fight fire with fire—
You fight fire with water.
You can't fight hate with hate—
You fight hate with heart.
With compassion.

Jinu was an example of a person so overcome by the voices in his head—his demons—that he became one himself.
So, before we start judging others for how awful they are—
Let's talk about the voices that made them that way.
Jinu was only able to reach some semblance of peace because he received compassion instead of hate.
How about we use the light to enlighten, rather than get rid of, what lurks in the dark?

Notice how, initially, the hunters seemed to want to avoid public confrontations with demons to maintain their secret identities as demon hunters.
But in the end, they openly defeat Gwi Ma and the demons, which actually helped empower them more with the fans' support.
Another tribute to the power of transparency.

The Honmoon symbolized the barrier between the demon realm and the human realm.
But what are humans without their demons?
That's why the Honmoon never turned golden permanently.
Not because Rumi decided to change her mind and make it rainbow instead—
But because it would've been impossible to do so.
So, when she destroyed it, and created a new one that turned rainbow?
That symbolized something greater.
That symbolized the lifting of the curtain.
That symbolized the embracement of her demons.
Rather than the shame of them.
She stopped hiding, and let herself glow in a way that for once, felt natural.
This isn't just about Rumi's journey—it's about ours too.

Meaning of the Movie

In a world where we can't show our cracks for fear of them being exploited—
This movie was a beautiful emblem of vulnerability being a superpower.
Of our flaws being exactly what make us perfect.
Perfect imperfections.
But the thing is, there's a certain extent to how vulnerable you can be with people.
Because there will always be people—
Looking to see just how far apart the cracks can go.
So, it's not really about covering up—
It's about making sure those who don't deserve your vulnerability don't see it.
Tiny baby steps.
If they falter during any of those?
You know what their stance is.
Those meant for you will stay.
Those who aren't will leave.
It's not your job to pretend to be someone palatable enough for others.
It's your job to be you.
Even if you're imperfect.
And see who stays.

This movie wasn't just another animated musical for kids—it was an entire commentary on the beauty of transparency, embracing the self and loving it, as well as the importance of kindness over hate.

A Reddit user stated it beautifully:


Song/Lyric Analysis

Now, this commentary wouldn't be complete without analyzing the symbolism of Huntr/x and the Saja Boys' songs. Uh, hello? It's literally a fantasy musical. (Get the "How It's Done" reference?)

Dark Moment Journey
"
I was a ghost, I was alone
Eoduwojin apgilsoge (Hah)
Given the throne, I didn't know how to believe (Hah)
I was the queen that I'm meant to be (Ah)
I lived two lives, tried to play both sides
But I couldn't find my own place (Oh, oh)
Called a problem child, 'cause I got too wild
But now that's how I'm getting paid, kkeuteopsi on stage
...
Oh, I'm done hidin' now I'm shinin'
Like I'm born to be
Oh, our time, no fears, no lies
That's who we're born to be


Waited so long to break these walls down
To wake up and feel like me
Put these patterns all in the past now
And finally live like the girl they all see
"
In these lyrics, a paradox is presented. The song talks about not hiding your potential, your power, and taking full control of it. It talks off using your 'flaws' to your advantage. 
But that's not what Rumi was doing, was it?
She thought she had to get rid of her patterns to feel like herself.
To finally live like the girl they all see.
But there's a difference between the girl they want to see and the girl they see.
And the girl they wanted to see
Was her.
In her rawest form.
That's how she was supposed to be 'Golden'.
But in the end, she becomes something much more beautiful
She becomes rainbow.
The entire spectrum of colors.
Because none of us are just one, solid color;
We're undefined, varying, beautiful.
We are a spectrum.

In another scene, while practicing lines alone in her bedroom, Rumi sings,
"
When your patterns start to show, I see a pain that lies below
"
This line represents behavioral patterns.
In modern society, especially on social media, people with 'red flags' that might be considered extreme are cast out—isolated, hated.
Do we ever really consider why they are the way they are?
Maybe they were treated that exact same way.
Maybe they grew up thinking those 'red flags' were normal.
Now, imagine growing up in a world where that's normalized.
Don't you think it was more painful for them?
To be numbed by such things in society?
I'm not saying being a red flag is justified—
I'm saying that isolating red flags isn't justified either.
Because how do you heal something when you don't even want to touch it?
How do you decode the pain beneath the pattern when you don't want to be anywhere near it?

In 'How it's Done' by Huntr/x, Rumi sings:
"
Hear our voice unwaverin'
'Til our song defeats the night
Makin' fear afraid to breathe
'Til the dark meets the light (how it's done, done, done)
"

"
We are hunters, voices strong
Slaying demons with our song
Fix the world and make it right
When darkness finally meets the light

"

These are the lines of the haunting mantra that Huntr/x, and so many other hunters before them, lived by.

So, Huntr/x's entire mission surrounds making the 'dark meet the light'.
But they never actually let the dark meet the light.
Not until Rumi reached rock bottom.

"Our faults and fears must never be seen"
The burden of concealment eventually sank Rumi to rock bottom.
So, she decided to cut it off.
Because the only place she could go now—
Was up.


Takedown by Huntr/x is the song that symbolizes the moment Rumi hits rock bottom, her 'dark moment' before her 'AHA! moment'. 
"
So sweet, so easy on the eyes, but hideous on the inside
Whole life spreading lies, but you can't hide, baby, nice try

I'm 'bout to switch up these vibes, I finally opened my eyes
It's time to kick you straight back into the night

'Cause I see your real face and it's ugly as sin
Time to put you in your place 'cause you're rotten within
When your patterns start to show
It makes the hatrеd wanna grow outta my veins


I don't think you're ready for thе takedown
Break you into pieces in a world of pain, 'cause you're all the same
Yeah, it's a takedown
A demon with no feelings don't deserve to live, it's so obvious

...
Look at all the masses that you're foolin'
But they'll turn on you soon, so how?
How can you sleep or live with yourself?
A broken soul trapped in the nastiest shell
"
I believe this song is something that Rumi sings to herself, and not just the demon boy band, the Saja Boys.
Self-loathing is a horrifying spiral to be stuck in.
Sometimes (or a lot of times), you don't sleep.
Imagine the fear of somebody hating you for who you really are.
For your past.
For all the untold truths you hide beneath the covers.
At the price of your own peace of mind. 
Your own sleep.

Another line in Takedown:
"
Confidently stepping up to the dark, I’ll tear it all down
"

We were supposed to embrace the shadows of our past.
Not tear it all down.
Because in the end, it's a part of who we are.
A part of who we became.
The part that elicits the choice:
Are we heroes, or are we villains?
Spoiler:
Choosing to be compassionate with yourself makes you a hero. 

'Soda Pop' by the Saja Boys is actually a perfect companion song to this because, despite it's deceptively sweet, fun-sounding, and romantic lines, it actually describes the soal-sucking nature of fighting your demons.

"
Keeping you in check (Uh), keeping you obsessed (Uh)
Play me on repeat, endlessly in your head
Anytime it hurts (Uh), play another verse (Uh)
I can be your sanctuary
Know I'm the only one right now (Now)
I will love you more when it all burns down
More than power, more than gold (Yeah)
Yeah, you gavе me your heart, now I'm herе for your soul

I'm the only one who'll love your sins

Feel the way my voice gets underneath your skin
...
Gimme your desire
I can be the star you rely on (You rely on)
You're lost in my daze, yeah, you can't look away (Hey)
Don't you know I'm here to save you?
Now we runnin' wild
Yeah, I'm all you need, I'ma be your idol
...
Thank you for the pain 'cause it got me going viral
...
Don't let it show, keep it all inside
The pain and the shame, keep it outta sight
Your obsession feeds our connection
So right now give me all your attention
...
Living in your mind now
Too late 'cause you're mine now
I will make you free
When you're all part of me
...
Gimme your desire
Watch me set your world on fire
You're lost in my daze, yeah, you can't look away (Hey)
No one is coming to save you
Now we runnin' wild
You're down on your knees, I'ma be your idol
"
'Your Idol' talks about how the singers are the release, the 'sanctuary' for their listeners.
This song is sung by anything you're addicted to.
Because addiction stems from a lack of connection.
It's literally scientifically proven.
And true connection is only possible when you've bared all parts of yourselves—
Even the ones that you guard.

Your addiction fuels those who benefit from the object of your addiction, not yourself.
It benefits those who profit off your vulnerabilities.
Who take advantage of your trauma.
They let you hide it from those who deserve it, from those who deserve you, from those your deserve. They let you not develop proper connections—
While they profit.
This song adds fire to the fuel by 'preaching to the choir'.
It is the emblem of tucking your imperfections in a dark corner.
Where they can't be enlightened.
Where they won't be treated as perfect imperfections.

AHA! Moment Journey
"In order to heal a part, we must understand the whole.” – Tonic man
Focus is good, but focusing on one part leads to ignoring other parts, making you separated, isolated.” – Tonic man

Better words could not have been said to describe the necessity of transparency.
No matter the awful things you've done in your life, I believe everyone deserves compassion.
Second chances.
Love.
Especially the parts you think are 'unlovable'.
Because healing starts with love.

"
I tried to hide, but something broke
I tried to sing, couldn't hit the notes
The words kept catching in my throat
I tried to smile, I was suffocating though
But here with you, I can finally breathe

...
You got a dark side, guess you're not the only one
What if we both tried fighting what we're running from?
We can't fix it if we never face it
What if we find a way to escape it?
"
The lyrics here from 'Free' highlight the importance of transparency by showing how it became easier for Rumi to 'breathe' when she let herself be seen by someone.
Now, they continue to sing, about how facing and fighting what they're running from will help them escape it.
In the end, they'll realize—
They never had to fight it.
They had to embrace it.

In 'What it Sounds Like':
"
Nothing but the truth now
Nothing but the proof of what I am
The worst of what I came from, patterns I'm ashamed of
Things that even I don't understand

I tried to fix it, I tried to fight it
My head was twisted, my heart divided
My lies all collided
I don't know why I didn't trust you to be on my side

I broke into a million pieces, and I can't go back
But now I'm seeing all the beauty in the broken glass
The scars are part of me, darkness and harmony

My voice without the lies, this is what it sounds like
Why did I cover up the colors stuck inside my head?
I should've let the jagged edges meet the light instead
Show me what's underneath, I'll find your harmony

The song we couldn't write, this is what it sounds like

...
My voice without the lies, this is what it sounds like
Fearless and undefined, this is what it sounds like
Truth after all this time, our voices all combined
When darkness meets the light, this is what it sounds like
"


Essentially, what's being said here is that the light meeting the dark doesn't mean the dark's going to be destroyed by the light.
It just means you bring the cracks into the light.

You show the imperfections.
Because, no matter how unflattering the lighting—
It's you.
And you are beautiful.
Because you're human.
And you're real.


They thought the way to heal was by killing/sealing off the demons.
They didn't realize it meant they'd actually have to face them, though.
Not with the thing that fueled them, but with what empowered them.
Not hate—
But acceptance.
Hope.
Kindness.
Love.


In 'Free', Rumi

The songs don't just echo the story—they echo the reality of living with your demons.
And this brings me to something I think a lot about: how we frame mental health in our world.

Bonus: Link with Mental Health Awareness.

In an era where awareness of mental health has spread considerably, what I've noticed is the way it's spread.
Terming mental conditions mental illnesses is dehumanizing in my opinion, because you can't just say somebody's mentally ill just because their brain works differently. Everyone has trauma.
"But it's like the difference between having cancer and having a fever."
You still treat people who have cancer with humanity, don't you?
With even more gentleness, in fact.
So why do we dehumanize those with mental conditions?
Why do we treat them like they're some monsters in society?
Like their past, and maybe even present, is something to be ashamed of?

People say Romeo and Juliette are goals, I say Alicia and John Nash are.
Despite John being schizophrenic, that woman stayed by his side and loved him.
And literally died by his side.
Something many people wouldn't bother to do today.
They'd run because they fear what they don't understand.
They fear reality.
The reality is that nobody is mentally stable.
Mental conditions stem from trauma. Trauma stems from life.
No one will ever be untouched by the dark.
And that's okay.
We weren't built to be perfect, unshattered glass.
We were built to be stained and shattered. To form a beautiful masterpiece.
I've heard all sorts of views on mental health.
"Mental health is real."
"Mental health is made up; people can conquer it if they have enough willpower."

The thing that I've learned, as someone who's struggled with their own mind, is that mental conditions aren't an excuse.
They aren't fake.
They aren't an excuse for you to slack off, or do things that aren't ethical.
It just means you have to take care of yourself differently.
Taylor Tomlinson once said in her Netflix Special, 'Look At You':
"...there's nothing wrong with it...like not knowing how to swim. It might be embarrassing to tell people, and it might be hard to take you certain places. But they have arm floaties. And if you just take your arm floaties, you can go wherever the hell you want. And... I know some of you are, like, "But Taylor, what if people judge me for taking arm floaties?' Well, those people don't care if you live or die, so maybe who cares? Maybe f*ck those people a little."
I like to think of it as this, though.
You can swim.
You just learn differently.
Your body works differently in the water.
Some people are mermaids, others are sirens, others are fish, others are human, so on and so forth.
But, despite all that, you can learn how to swim.
Just because you have different needs doesn't mean you aren't human.
It doesn't mean you'll never learn to swim on your own, without the help of arm floaties.
It just means you'll learn to swim at your own pace.
And you will get there.
So long as you want to get there.

Conclusion

I feel like we forget that people are human.
That they have feelings.
That they have a life.
We lash out at their mistakes; we persecute them.
Never considering the fact that they might have a change of heart.
Or maybe their intentions were never bad.
People say actions speak louder than words.
I say intentions speak louder than either.

Intention elicits action; without it, action is meaningless.
Now, of course, there's a difference between flaws and sin.
Sin is animalistic.
It's using the shattered glass not to heal, but harm.
Instead of staining the glass with paint, staining it with blood.
We have been given shards of ourselves.
To see what we do with them.

Now, the thing is, even if you have drawn blood, that doesn't mean you're too far gone—
It just means you have to make the paint work with the blood, too.
But it'll never work—
Unless you truly want it to.
You won't ever be able to cover up the blood.
But you can make it something you learn from.
We need progress, not perfection.

You will always be capable of change.
You will always be worthy of second chances.
As long as you are willing to undergo metamorphosis.
In the end, it wasn't about letting our demons rule us—
It was about befriending them, and letting them make us stronger.
And that's exactly what KPop Demon Hunters teaches us.
It teaches us to dance with our shadows, instead of being scared of them.
It teaches us to find the courage to embrace the dark till it sings in harmony with our light.

Comments

Popular Posts